Cd Daft Punk Homework Track

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Tracklist Hide Credits

1Daftendirekt2:44
2Wdpk 83.7 FM
Producer [Broadcasted By] – Daft Punk
0:28
3Revolution 909
Producer [Déclenchée By] – Daft Punk
5:26
4Da Funk
Producer [Funked Up By] – Daft Punk
5:28
5Phœnix
Producer [Preached By] – Daft Punk
4:55
6Fresh
Producer [Surfed Up By] – Daft Punk
4:03
7Around The World
Producer [Dispatched By] – Daft Punk
7:07
8Rollin' & Scratchin'
Producer [Rolled & Schratched By] – Daft Punk
7:26
9Teachers
Producer [Learned By] – Daft Punk
2:52
10High Fidelity
Producer [E.Q'd By] – Daft Punk
6:00
11Rock'n Roll
Producer [Twisted By] – Daft Punk
7:32
12Oh Yeah
Guest [Introducing Special Guests] – DJ Crabbe, DJ Deelat*Producer [Shouted By] – Daft Punk
2:00
13Burnin'
Producer [Set On Fire By] – Daft Punk
6:53
14Indo Silver Club
Producer [Hosted By] – Daft Punk
4:32
15Alive
Producer [Created By] – Daft Punk
5:15
16Funk Ad
Producer [Added By] – Daft Punk
0:50

Notes

[Booklet]
Mixed and recorded @ Daft House, in Paris, France
Mastered at The Exchange, in London
Sleeve concept & art direction: for Daft Arts
Album layout & additional artwork: @ Magic Design
Daft punk logo created for Daft Arts
The tracks 4, 8, 14 & 15 were originally released on Soma Quality Recordings

℗&© 1996 Daft Trax / The copyright in this recording is owned by Daft Trax under exclusive license to Virgin France / Virgin Records Ltd. © 1996 Daft Trax / Printed in Holland.

Daftendirekt: Recorded live at a Fuse Party in Gent.
Indo Silver Club: This track contains a sample of "Hot Shot" performed by Karen Young, courtesy of Sunshine Entertainment.

All tracks written & produced for Daft Trax
Published by Zomba Music for World excluding France
Delabel Editions / Daft Music for France
℗&© 1996 Daft Trax under exclusive license to Virgin France / Virgin Records Ltd.

[CD]
℗& © 1996 Daft Trax
Made in Holland

[Rear]
Printed in Holland.

Issued in a jewel case (transparent tray) with a folding booklet.
Tracks 4 + 8, 14 and 15 were originally released on soma 25, SOMA 035 and SOMA 14.

Barcode and Other Identifiers

  • Barcode (Text): 724384 260927
  • Barcode (Scanned): 724384260927
  • Label Code: LC 3098
  • Price Code (F:): PM 538
  • Rights Society: bel BIEM
  • Other (Cat#, UK:): CDV 2821
  • Other (Cat#, F:): 7243 8 42609 27
  • Matrix / Runout (Matrix code): EMI UDEN 8426092 @ 2
  • Matrix / Runout (Mould pressing code, variant 1): 2-4-5-NL
  • Matrix / Runout (Mould pressing code, variant 2): 2-2-2-NL
  • Matrix / Runout (Mould pressing code, variant 3): 2-4-9-NL
  • Matrix / Runout (Mould pressing code, variant 4): 2-1-17-NL
  • Matrix / Runout (Mould pressing code, variant 6): 2-2-13-NL
  • Matrix / Runout (Mould pressing code, variant 7): 2-2-15-NL
  • Matrix / Runout (Mould pressing code, variant 8): 2-1-16-NL
  • Matrix / Runout (Mould pressing code, variant 9): 2-1-12-NL
  • Matrix / Runout (Mould pressing code, variant 10): 2-5-1-NL
  • Matrix / Runout (Mould pressing code, variant 11): 2-4-6-NL
  • Matrix / Runout (Mould pressing code, variant 12): 2-5-27-NL
  • Matrix / Runout (Mould pressing code, variant 13): 2-1-24-NL
  • Matrix / Runout (Mould pressing code, variant 14): 2-1-26-NL
  • Matrix / Runout (Mould pressing code, variant 15): 2-1-18-NL
  • Matrix / Runout (Mould pressing code, variant 16): 2-1-17-NL
  • Matrix / Runout (Mould pressing code, variant 17): 2-4-17-NL
  • Mastering SID Code: IFPI L047
  • Mould SID Code (Variant 1): IFPI 1529
  • Mould SID Code (Variant 2): IFPI 1550
  • Mould SID Code (Variant 3): IFPI 1534
  • Mould SID Code (Variant 4): IFPI 1522
  • Mould SID Code (Variant 5): IFPI 2506
  • Mould SID Code (Variant 6): IFPI 155D
  • Mould SID Code (Variant 7): IFPI 1544
  • Mould SID Code (Variant 9): IFPI 1554
  • Mould SID Code (Variant 10): IFPI 154A
  • Mould SID Code (Variant 11): IFPI 1595
  • Mould SID Code (Variant 12): IFPI 15EC
  • Mould SID Code (Variant 13): IFPI 156B
  • Mould SID Code (Variant 14): IFPI 1515
  • Mould SID Code (Variant 15): IFPI 154C
  • Mould SID Code (Variant 16): ifpi 15608
  • Mould SID Code (Variant 17): ifpi 1533

Other Versions (5 of 54) View All

Cat#ArtistTitle (Format)LabelCat#CountryYear
UK: CDV 2821, F: 7243 8 42609 27Daft PunkHomework ‎(CD, Album, Unofficial)Virgin, VirginUK: CDV 2821, F: 7243 8 42609 27Russia1997Sell This Version
TCV 2821, 7243 8 42609 4 1Daft PunkHomework ‎(Cass, Album)Virgin, VirginTCV 2821, 7243 8 42609 4 1France1997Sell This Version
TOCP-53579Daft Punk = ダフト・パンク*Daft Punk = ダフト・パンク* - Homework = ホームワーク ‎(CD, Album, Promo)VirginTOCP-53579Japan2005Sell This Version
UK: CDV 2821 / F: 7243 8 42609 27Daft PunkHomework ‎(CD, Album)VirginUK: CDV 2821 / F: 7243 8 42609 27Australia1997Sell This Version
CDV 2821, 7243 8 42609 27Daft PunkHomework ‎(CD, Album, RE)Parlophone, Parlophone, Soma Quality Recordings, Soma Quality RecordingsCDV 2821, 7243 8 42609 27UK & EuropeUnknownSell This Version

Reviews Show All 27 Reviews

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Even before they pulled a Kraftwerk and turned into robots, Daft Punk’s talent for mythmaking was as precocious as their production skills. They first passed a cassette of their music to Stuart MacMillan, co-founder of the Scottish techno label Soma, at a Euro Disney rave in 1993. Then, following the release of just two singles, Parisians Guy-Manuel de Homem-Christo and Thomas Bangalter were snapped up by Virgin and set to work on their debut album.

When Homework arrived in 1997, Britpop’s wane was too incipient to be detected and dance albums tended only to cross over into the UK’s guitar-centric mainstream if, as Leftfield, The Chemical Brothers and Underworld had shown, vocals were included to leaven all those repetitive beats. Perhaps it has something to do with Homework’s success, then, that one of its few vocal tracks happened to be Around the World, one of the decade’s catchiest singles.

The track is a perfect example of Daft Punk’s sound at its most accessible: a post-disco boogie bassline, a minimalist sprinkling of synthetic keyboard melody and a single, naggingly insistent hook. While the vocal performs that role on Around the World, elsewhere the same effect is achieved using a wide variety of sounds: Da Funk’s acidic wah-wah guitar line; the torturous squeal that powers the aural battery of Rollin’ & Scratchin’; a sustained fragment of guitar distortion carrying on the ocean breeze of Fresh; the woozy oscillations and slicing percussion of Indo Silver Club.

Just as distinctive as the less-is-more approach to each track’s elements is Homework’s love of compression, a sonic tribute to the FM radio stations that fed Daft Punk’s youthful obsessions. Such extreme use of attack and release, augmented still more by a predilection for filtered basslines and astringent hi-hats, establishes a distinctive tension between bass and treble that’s become as key to their sonic palette as their referencing of 70s disco, 80s pop and 90s techno.

Homework could have been a superb 40-minute album, but at almost twice that length there are definite longueurs. For every bagatelle like High Fidelity or Phœnix, though, there’s a gleaming techno machine like Alive ready to hover into view and throw you forward into an LED-coated future of Kanye samples, Grammys, Tron soundtracks, movies and pyramids. The rise of the robots started here.

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